Fundamentalism: Whence? Where? Whither? Part 5

Fundamentalism and Sentimentalism
Read Part 1, Part 2, Part 3, and Part 4.
The evangelical mixture from which Fundamentalism developed made serious concessions to populism. Charles Finney took those concessions to an extreme by patterning the inner ministry of the church after the worlds of commerce, politics, and entertainment. Finney made these adaptations at the precise moment when popular culture was coming into existence. The result was that the predecessors of Fundamentalism invested heavily in adapting their Christianity to popular culture. Fundamentalism inherited this link with popular culture and has perpetuated it rather consistently through the years.
Popular culture came into its own during the Victorian-Edwardian era.1 It provided a channel through which Victorian influences began to affect the lived Christianity of most American evangelicals, and consequently of the Fundamentalists who came after them. While Fundamentalists have not been alone in attempting to assimilate popular culture into Christianity, they have been among the foremost.
One of the main characteristics of Victorian popular culture was its sentimentalism. Victorians did not invent sentimentalism, but they made it a significant aspect of their mental and emotional furniture. As the predecessors of Fundamentalism absorbed Victorian popular culture, they imported its sentimentalism into their Christianity.2
Sentimentalism is more than simple overindulgence in emotion. It is a combination of two factors. First, it attaches the wrong degree or kind of emotion to an object. Second, it pursues emotion for the sake of the emotion itself.
Discussion