Church History

If you grew up in American evangelicalism, like I did, your grasp of church history, especially of the church fathers, may be relatively weak. Like a good fundamentalist, I grew up knowing all about D.L. Moody, George Whitfield, and Billy Sunday. I also had heard of Martin Luther and John Calvin, although I had more suspicion of them. But the church fathers were Roman Catholics from who knows when, and they didn’t have anything to teach me.

This idea, mind you, was “caught,” not “taught.” Church history has much to teach us, and the church fathers wouldn’t so easily fit into the mold of Catholicism as we know it. The early church fathers, especially, are worthy of study, and to them we owe thanks for an orthodox understanding and articulation of such important doctrines as the deity of Christ, the Trinity, and the deity of the Holy Spirit.

Overview

Basil of Caesarea (329-379 AD), a Greek-speaking Bishop in what is now Turkey, was so important a figure in the fight for biblical orthodoxy, that he is remembered as Basil the Great. He may be the most significant church father that most people haven’t heard of. Athanasius gets more notoriety for defending the Trinity contra mundum (against the world), but Basil was right there with him. Basil’s writings against the Arians, and his work On the Holy Spirit, helped to provide the church with some of the terminology that would eventually make up the orthodox definition of the Trinity: “one essence, but three persons.”

After reading part one of this two-part series, and seeing all the good things accomplished by Christian films, one might wonder if anything could or should be wrong with them or if any negative aspects could or should overshadow the positive ones.

In January 1954, Youth for Christ Magazine, in the article “Who’s Who in Religious Films,” spotlighted key people and organizations involved in Christian film production. Around this same time, A.W. Tozer wrote “The Menace of the Religious Movie” in which he opposed the use of Christian films to portray spiritual or biblical dramatic performances. Youth for Christ was in favor of Christian films because of the decisions for Christ that accompanied them. However, they also recognized that there was opposition and sought to quell it by highlighting the positive aspects they saw with Christian films.

Below is a summary of the “Who’s Who” article presenting the justifications and rationale of those involved in and supportive of Christian films at that time.

The Early Days

C.O. Baptista was credited with pioneering the Christian film idea in the late 1930s. Baptista said that while using an object lesson during Sunday school “he suddenly caught a vision of what that same object lesson could do if presented as a motion picture in churches.” Baptista produced dramatic films, sermon-type pictures, and animated films. Reportedly, “hundreds of professions of faith” resulted from the showing of just one of his dramatic films.

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