How Bach Used the "Devil's Music"
During the middle of the sixteenth century, there was intense debate about music in the church. Several issues were on the table:
As iron sharpens iron,
one person sharpens another. (Proverbs 27:17)
During the middle of the sixteenth century, there was intense debate about music in the church. Several issues were on the table:
by Greg Howlett
Music is a lightning rod for controversy on SharperIron, and I am hopeful that this article will lead to some thoughtful discussion and introspection. However, I have challenged myself to write about music in a way that is relevant to the average fundamentalist church while avoiding the normal debates about CCM and stylistic preferences.
Aaron Copland was a composer, not an aesthetician or theologian. But as the honorary “Dean of American Composers,” he was often called upon to discuss musical meaning, and his thoughts on the matter were well-informed, both by his study and experience. In the view of this writer (also an American composer, but of a much smaller order!), Copland’s ideas have great value for Christians who make aesthetic judgments in accordance with Scriptural revelation. In a 1951 speech at Harvard, Copland said,
Discussion