Romans 11

Last time we began a consideration of the Apostle Paul’s statement in Romans 11:13: “I magnify my ministry.” We’re thinking of some practical implications and applications of these words of Paul, which fall in the midst of his extended treatment of God’s future plan for the people and nation of Israel.

We previously pondered our need to manifest sobriety in our ministries, and also to model consistency in all that we do in our service to the Lord.

One example where a New Testament writer views an Old Testament prophetic passage as needing to be fulfilled literally in the future is Paul’s use of Isaiah 59:20-21 in Romans 11:26-27:

and so all Israel will be saved; just as it is written,

“The Deliverer will come from Zion,
He will remove ungodliness from Jacob.”
²⁷ “This is My covenant with them,
When I take away their sins.”

(Read the series so far.)

God’s rejection of those who led Israel, and the dark curtain He placed over many of their hearts, is not the final layer of the canvas. His veiling is …

Not final: There is a promise!

God still has a future for the Jewish people. Paul wrote:

What then? What Israel is seeking, it has not obtained, but those who were chosen obtained it, and the rest were hardened; ⁸ just as it is written, “God gave them a spirit of stupor, Eyes to see not and ears to hear not, Down to this very day.” ⁹ And David says, “Let their table become a snare and a trap, And a stumbling block and a retribution to them. ¹⁰ “Let their eyes be darkened to see not, And bend their backs forever.” ¹¹ I say then, they did not stumble so as to fall, did they? May it never be! But by their transgression salvation has come to the Gentiles, to make them jealous. (NASB, Rom. 11:7-11)

(Read the series so far.)

Almost in the perfect center of the north end of the city of Paris, the hill of Montmartre and its grand white Cathedral of “Sacré-Cœur” (Sacred Heart) seem perched above the city. From the church you are afforded one of the most magnificent views of the “city of lights” that doesn’t require going up in a rickety elevator on an old “erector set” called the Eiffel Tower.

Montmartre is noted for several things, but probably best known for the quarter’s daily working street artists. Gathered near the square due west of the church, these artists sit in front of easels painting either in oils or watercolor, while others around them are sketching, chalking and creating in a host of artistic media.

Though I could not do what they do, I confess that I love to walk around and see artists at work.