Covenants

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The Function of Apocalyptic

Brent Sandy says that understanding the function of apocalyptic literature is probably the most important thing about it.¹ He says that the main thing is to bring hope in adversity. As he puts it, “The lofty heights of the [rollercoaster] ride—so unlike anything known on this earth—help the persecuted put their misfortunes in perspective.”² Sandy describes the six effects of apocalyptic upon the hearers³:

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Some Major Characteristics of Apocalyptic (with Responses)

Take up any book on the subject and you will be told that the many features of apocalyptic literature can scarcely if ever be found in one single work. Indeed, a piece of apocalyptic can be absent many of the list of characteristics. Still, it is worth trying to get at the criteria. Brent Sandy has provided a list of eleven characteristics (twelve if one includes pseudonymity) of the genre:¹ I have added some comments to temper them a bit.

1. “jaw-dropping scenes of animals, rivers, mountains and stars that jump off the page with movielike special effects (Dan. 8:2-14; Zech. 6:1-7)”

A star went before the magi to guide them; it was actual not apocalyptical. While some of the animals, say in Daniel 7, are imaginary, this is not necessarily the case with the visions in Zechariah or Ezekiel. If the prophets could see real spiritual beings (cherubim, seraphim, women with stork’s wings, etc), then apocalyptic is more a category of experience (which includes seeing the supernatural) than has hitherto been admitted.

2. “natural catastrophes producing cosmic chaos throughout the universe, ushering in the dreadful day of judgment (Is. 24:18-20; Ezek. 38:19-22)”

These passages describe an epic earthquake; nothing in these passages is figurative.

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Going Far Beyond the Bible

All of the major advocates of apocalyptic gather data, albeit not exclusively, from outside of the Bible. Brent Sandy demonstrates his procedure of going beyond Scripture when he says, “In order to understand the language of apocalyptic, we must review the period of world history relevant to Daniel 8 and then examine Daniel’s language.”¹ He is not alone. Notice what is entailed in this statement about the genre:

Apocalypse was a literary genre that flourished in the period between the OT and NT(though apocalyptic visions of the future can be found in the OT as well as the NT).²

Here is another statement from the Dictionary of Biblical Imagery:

Apocalyptic forms of expression were very common outside the Bible, and contemporary readers need to become familiar with that mindset to understand biblical apocalyptic literature and symbolism.³

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The “Apocalypse” of John and Picking Sides

The first composition to call itself an “apocalypse” was the Book of Revelation, written by the Apostle John circa 95 A.D.¹ “And even there” says Collins, “it is not clear whether the word denotes a special class of literature or is used more generally for revelation.”² But right here at the start I believe we are misdirected. John expressly tells us that his book is a “prophecy” (Rev. 1:3; 22:7, 10, 18, 19), and is “the testimony of Jesus Christ” (Rev. 1:2), which “is the spirit of prophecy” according to Revelation 19:10. So every indication within the Book of Revelation itself is that it is a prophecy. Hence the term apokalypsis as John uses it does not refer to a special class of literature, but rather does stand generally for a revelation from Jesus Christ.

This is a draft chapter from the forthcoming book The Words of the Covenant.

The purpose of this article is to cast a little doubt upon the generally received view of the reading of biblical apocalyptic literature. As the unique Word of God, the Bible itself is its own interpreter, and much of the edifice of genre criticism and particularly apocalyptic genre is not based on biblical premises, nor should the “apocalyptic” sections of the Bible be read as if at odds with the understanding of God’s covenants that we have been considering. In point of fact, read against the backdrop of the divine covenants apocalyptic presents few problems for the interpreter and makes its own contribution to the prophetic big picture of the Bible.

Apocalyptic as We are Supposed to View It

According to the leading writers on the subject, the study of apocalyptic literature only gained impetus in the latter half of the nineteenth century, and really began in earnest in the second half of the twentieth century. Though there has been some shift in opinion over the past fifty years, the overall consensus is fairly stable. Mainline scholars have broken down their study into three major strands:

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The Christology of the Psalms continued …

Christ’s Resurrection and Ascension

Christ’s Resurrection and Ascension in Psalms 16:10 (resurrection), and 68:18 (ascension).

Psalm 16:10: “For You will not leave my soul in Sheol, Nor will You allow Your Holy One to see corruption.”

It is not fully apparent in Psalm 16 just who the “Holy One” is. David is the author of the psalm, but would David call himself “the Holy One”? It is this passage the apostle Peter quotes and applies directly to the Risen Christ in Acts 2:25-30. Sheol was the place of departed souls and generally has negative connotations in the OT. David appears to be speaking of it, not as a place of his temporary punishment, but of separation still from the presence of God. If this is true then the hope of resurrection, and an ascension of some kind, is certainly in David’s mind as he writes, and it is this that Peter picks up and uses.

Psalm 68:18: “You have ascended on high, You have led captivity captive; You have received gifts among men, Even from the rebellious, That the LORD God might dwell there.”

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The Christology of the Psalms

Everyone knows that from an evangelical perspective there are a number of psalms that are designated “Messianic.” In surveying some of the categories above, it has already been impossible to avoid encountering the doctrine of Christ. Christology surfaces in many of the Psalms, although the main “Messianic Psalms” are Psalms 2, 22, 69, 110, and 118. These five are so-called mainly because they are employed by the New Testament writers to relate in some way to aspects of Jesus Christ’s life and ministry.¹ If we quickly survey these five Psalms we find that,

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The New Covenant

Finally, although it is not named as such, the New covenant is represented in such psalms as Psalm 96:11-13; 98:3 130:7-8, and 147:12-14, although it is central to the realization of eschatological hope in the Book since the themes of Kingdom and Messiah are allied with it. In Psalm 96:11-13 many of the themes we see in Isaiah 11:4-9; Jeremiah 23:5-6, and Ezekiel 34:24-31 are present, such as universal justice and peace, and blessing upon the productivity of the earth. As Yates put it,

Perhaps this refers to a ceremonial enthronement which may have been a part of the New Year’s celebration. However, the main emphasis is eschatological; God is pictured as King of the nations and Judge of the earth.¹

We see a celebration of this in Psalm 147, a psalm usually dated to the post-exilic period because of its dependence on other Old Testament passages:²

Praise the LORD, O Jerusalem! Praise your God, O Zion!
For He has strengthened the bars of your gates; He has blessed your children within you.
He makes peace in your borders, and fills you with the finest wheat. (Psalm 147:12-14)

The descriptions are much more befitting a kingdom restoration rather than a post-Babylon return.