By Gregg Strawbridge. Posted by permission from the author.
As an analysis of music style, this paper offers a succinct theological synthesis of the Biblical information on music. The writer summarizes a mini-theology of music and addresses a current issue relevant to evangelical worship, ministry programs, missiology, and cultural impact: contemporary music styles. The paper argues that an exegetical and Biblical theology of music and a familiarity with the issues surrounding ethnomusicology are the foundation for any specific musical-genre critique. Moreover, some reflection on the larger issue of the relationship between Christ and culture are a necessary counterpart to this discussion. To accomplish this, the paper is divided into three sections: (1) a Biblical survey of music, (2) a dialogue with current critiques of contemporary music styles, and (3) directions and recommendations for Christian musicians.
“Why should the devil have all the good music?” - Martin Luther
A SURVEY OF BIBLICAL MUSIC
A Brief Biblical Theology of Music
The Scriptures1 recognizes music as a means for praise (Acts 16:25; Rom 15:9 [originally sung]), a means of expressing joy (Jam 5:13), thanksgiving (Psa 92:1-3), sorrow for sin (Is. 16:10), a means of prayer (1Co 14:15; Psa 72:20), and a means of teaching and spiritual communication (Col 3:16; Eph 5:19).