Gregg Strawbridge continues his series about contemporary music styles in the church. Here, he discusses critical arguments against contemporary music styles.
The Origin of the Beat
If the reader tends to agree with the premise that rhythm dominant music is inherently sinful, the implications are grave - since, the music of many cultures (Latin America, Caribbean, African) is “rhythm-dominant.” Perhaps someone will even be willing to argue that the “beat” is evil because it was derived from pagan tribalism and brought to America via slavery. This is what some call the African Connection. One proponent of this view says,
It is irrefutable that rock and roll music owes some of its roots to the tribes of Africa….To declare that these are the only roots of rock music is to mislead and to be less than honest. A careful study of rock music reveals it to be more complex than that; however, to deny that an African connection to the rock rhythms of our day does not exist, is to be equally misleading and dishonest. To declare that a certain rhythm or beat is ‘evil’ cannot be proved entirely. What is far more important is the historical revelation that demonic activity has been observed in connection with rituals where drums and rhythmic beats have been the catalyst. (Leonard J. Seidel, Face the Music: Contemporary Church Music on Trial, 1988, p. 41)