C. H. Spurgeon

Illustrations should really cast light upon the subject in hand, otherwise they are sham windows, and all shams are an abomination. When the window-tax was still in force many people in country houses closed half their lights by plastering them up, and then they had the plaster painted to look like panes; so that there was still the appearance of a window, though no sunlight could enter. Well do I remember the dark rooms in my grandfather’s parsonage, and my wonder that men should have to pay for the light of the sun.

Blind windows are fit emblems of illustrations which illustrate nothing, and need themselves to be explained. Grandiloquence is never more characteristic than in its figures; there it disports itself in a very carnival of bombast. We could quote several fine specimens of sublime spread-eagleism and magnificent nonsense, but one alone may suffice as a favorable sample of a form of display which is rather more common across the water than in these old-fashioned regions. The author’s name we will not mention, but the extract is given verbatim, and is taken from a sermon upon “To die is gain.” Let the young preacher ponder and wonder, but let him not imitate.

Illustrate, by all means, but do not let the sermon be all illustrations, or it will be only suitable for an assembly of simpletons. A volume is all the better for engravings, but a scrap-book which is all woodcuts is usually intended for the use of little children. Our house should be built up with the substantial masonry of doctrine, upon the deep foundation of inspiration; its pillars should be of solid Scriptural argument, and every stone of truth should be carefully laid in its place; and then the windows should be ranged in due order, “three rows” if we will: “light against light,” like the house of the forest of Lebanon.

Illustrations tend to enliven an audience and quicken attentions. Windows, when they will open, which, alas, is not often the case in our places of worship, are a great blessing by refreshing and reviving the audience with a little pure air, and arousing the poor mortals who are rendered sleepy by the stagnant atmosphere. A window should, according to its name, be a wind-door, through which a breath of air may visit the audience; even so, an original figure, a noble image, a quaint comparison, a rich allegory, should open upon our hearers a breeze of happy thought, which will pass over them like life-giving breath, arousing them from their apathy, and quickening their faculties to receive the truth.

Windows greatly add to the pleasure and agreeableness of a habitation, and so do illustrations make a sermon pleasurable and interesting. A building without windows would be a prison rather than a house, for it would be quite dark, and no one would care to take it upon lease; and, in the same way, a discourse without a parable is prosy and dull, and involves a grievous weariness of the flesh.

The preacher in Solomon’s Ecclesiastes “sought to find out acceptable words,” or, as the Hebrew has it, “words of delight”: surely, figures and comparisons are delectable to our hearers. Let us not deny them the salt of parable with the meat of doctrine. Our congregations hear us with pleasure when we give them a fair measure of imagery: when an anecdote is being told they rest, take breath, and give play to their imaginations, and thus prepare themselves for the sterner work which lies before them in listening to our profounder expositions.

Lecture 1: Illustrations in Preaching

The topic now before us is the use of illustrations in our sermons. Perhaps we shall best subserve our purpose by working out an illustration in the present address; for there is no better way of teaching the art of pottery than by making a pot. Quaint ‘Thomas Fuller says, “reasons are the pillars of the fabric of a sermon; but similitudes are the windows which give the best lights.” The comparison is happy and suggestive, and we will build up our discourse under its direction.

The chief reason for the construction of windows in a house is, as Fuller says, to let in light. Parables, similes, and metaphors have that effect; and hence we use them to illustrate our subject, or, in other words, to “brighten it with light,” for that is Dr. Johnson’s literal, rendering of the word illustrate.

Read the series.

Stir the fire also by frequent attempts at fresh service. Shake yourself out of routine by breaking away from the familiar fields of service and reclaiming virgin soil. I suggest to you, as a subordinate but very useful means of keeping the heart fresh, the frequent addition of new work to your usual engagements. I would say to brethren who are soon going away from the College, to settle in spheres where they will come into contact with but few superior minds, and perhaps will be almost alone in the higher walks of spirituality, — look well to yourselves that you do not become flat, stale, and unprofitable, and keep yourselves sweet by maintaining an enterprising spirit. You will have a good share of work to do and few to help you in it, and the years will grind along heavily; watch against this, and use all means to prevent your becoming dull and sleepy, and among them use that which experience leads me to press upon you.

I find it good for myself to have some new work always on hand. The old and usual enterprises must be kept up, but somewhat must be added to them. It should be with us as with the squatters upon our commons, the fence of our garden must roll outward a foot or two, and enclose a little more of the common every year. Never say “it is enough” nor accept the policy of “rest and be thankful.” Do all you possibly .can, and then do a little more.

Headings have been added. Read the series so far.

Earnestness and Personal Faith

The fire of our earnestness must burn upon the hearth of faith in the truths which we preach, and faith in their power to bless mankind when the Spirit applies them to the heart. He who declares what may or what may not be true, and what he considers upon the whole to be as good as any other form of teaching, will of necessity make a very feeble preacher. How can he be zealous about that which he is not sure of? If he knows nothing of the inward power of the truth within his own heart, if he has never tasted and handled of the good word of life, how can he be enthusiastic?

Headings have been added. Read the series so far.

Physical Condition

Pardon my saying that the condition of your body must be attended to, especially in the matter of eating, for any measure of excess may injure your digestion and make you stupid when you should be fervent. From the memoir of Duncan Matheson I cull an anecdote which is much to the point:

“In a certain place where evangelistic meetings were being held, the lay preachers, among whom was Mr. Matheson, were sumptuously entertained at the house of a Christian gentleman. After dinner they went to the meeting, not without some difference of opinion as to the best method of conducting the services of the evening. ‘The Spirit is grieved; he is not here at all, I feel it,’ said one of the younger, with a whine which somewhat contrasted with his previous unbounded enjoyment of the luxuries of the table. ‘Nonsense,’ replied Matheson, who hated all whining and morbid spirituality; ‘Nothing of the sort. You have just eaten too much dinner, and you feel heavy.’”

Duncan Matheson was right, and a little more of his common sense would be a great gain to some who are ultra spiritual, and attribute all their moods of feeling to some supernatural cause when the real reason lies far nearer to hand. Has it not often happened that dyspepsia has been mistaken for backsliding, and a bad digestion has been set down as a hard heart? I say no more: a word to the wise is enough.